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Dance Luminary Matthew Ball on Grueling Parts and Online Scrutiny: 'I Don't Feel Precious About My Body'

Within the hushed atmosphere of a hotel bar near London's Royal Ballet, Matthew Ball requests a mint tea. The dancer's posture is naturally straight-backed, his arms muscular beneath a simple white T-shirt. On stage, dancers can appear like mighty deities, yet often in person they are small. This is not true for Ball, whose tall stature is part of his demand for princely characters and partnering. Possessing delicate traits and intense eyes, there's a touch of Robert Pattinson about him.

A Seamless Rise to the Top

Now 31, Ball is enjoying the crest of a career that has advanced smoothly. Raised in Liverpool, he faced minimal ridicule for his childhood passion in ballet. Joining the Royal Ballet School at 11, he moved directly into the company and was advanced each year, reaching the top rank of lead dancer in 2018. He has loved taking on substantial characters, particularly the psychological angst found in a famed choreographer's works.

"Your breath is short, your legs get heavy, but it’s really a neural fatigue."

His next starring appearance is in a talk, in an "Evening With" event designed to offer intimate insights into a dancer's art. He will walk the crowd through a part, demonstrating his mental process while execution. Yet in lighter works, the challenge is significant. "Don Quixote is one of the toughest from a skill perspective," he notes.

The Psychological Game and Post-Performance Emotions

How does he feel following a performance, when he has pulled it off? "It's pretty good," he says. "However because I'm trying to extract all the emotion out of it, and get lost in the role, quite often I do feel self-conscious later. After an intense role I'm always thinking: Wow, what must people think?"

Offstage, Ball is thoughtful, polite, and quick to laugh at himself. But a dance maker once remarked on a "kind of suffering in him." Is there? "I am very energetic in general, but I do have a dark side," he confesses. "I kind of enjoy negativity sometimes. I've always felt that negativity has been an instigator for positive change."

Early Motivations and Artistic Influences

His determination originated in early experiences. Not excelling in contests at school made him "driven!" It was fuel to prove he could succeed. Discovering the book *Mao's Last Dancer* was a "watershed" moment. "It flipped a switch, it made me go a bit obsessive," he recalls.

The next endeavor is creating his own choreography. For Ball, "organic movement has value." "Breaking the rules is compelling, but just pretending that they’re not a thing any more – I don’t know how far you can go with that." He wants his work to be loaded with meaning, drawing inspiration from books, music, and art.

Intimate Dance and Personal Partnership

He additionally favors presenting dance in more intimate spaces. "It was just really exciting," he says of a past show. "You’re so near to the audience. I felt as if they were thinking: 'That’s a human, and they’re sweating.'"

Ball has made pieces with his partner, fellow lead dancer Mayara Magri. The level of trust between them is evident. "We first practiced on a beach," he says of a daring lift. "It resembled Dirty Dancing." The couple aren’t usually paired on stage at their home company, which is perhaps beneficial. "We’re both quite determined people, so it’s not always hunky dory," he notes. "Yet I feel like we’re each other’s biggest supporter."

On Social Media and Physical Perception

On social media, followers can see videos from his dance films and images that showcase a athletic form. Does he care that the response can be a bit focused on appearance? Not really. "The body is just what we use, so I don’t feel very protective about it," he states. He compares it to viewing Michelangelo’s David—something that can be interpreted on multiple ways.

Ball characterizes his younger self as "desperate for success." Has it met his expectations? "I am conscious of how reality is a different reality to the dreams you had as a child," he reflects. He likely has about decade of dancing ahead. "I guess in the time to come, I want to be a bit more kind with myself."

The writer

Marcus Rogers

A software engineer and tech writer with over a decade of experience in AI development and cybersecurity, passionate about demystifying complex tech concepts.

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